Work with us

Kit, films and testing, from people who work on units.

Supporting services for HETV drama, feature film and the organisations around them, connected to training, simulation and social-impact delivery.

What we do

What we do.

Crew with the Panavision XL2 on a wire rig

On a unit, with the package.

Two-hander being shot on location
Production

Production services

Commissioned film from a single day to a delivered edit, across social impact, documentary, campaign, training and event work.

Camera body and primes in flight cases
Equipment

The package

35mm, cine primes, lighting, grip and a crane. The package belongs to MR Helix Ltd and is made available to the CIC. Hiring is a supporting service connected to training, and the margin is asset-locked.

Crew on the walk to set
People

Training and progression

People who have held a grade on a production simulation, and a supervised placement route for a production willing to bring somebody through.

Empty stage space, lights up
Space

Spaces

Working spaces at Pinewood, in London and in the North West, from a workshop to a room for a read-through.

Rig under test in the lab
R&D

Testing and R&D

Cameras, stabilisation, drones, exoskeletons, virtual production, and AI tools and workflows, in the hands of people who have not yet learned to work around a fault.

A cohort at work in a teaching space
Education

Education and cohorts

Technical modules, short courses, refresher days and production bootcamps, run with colleges and universities.

A street unit with blue screen, crew working around the camera.
Why us

The margin is asset-locked.

Evidence you can put in a tender.
Social value

Evidence you can put in a tender.

Futures in Film CIC is a community interest company, not a charity. The margin on a hire or a commission is asset-locked to community benefit, and it funds training places.

Quotes

Every job is quoted first.

Send the dates, the scale and what you need.

Standards

Adopt a published standard.

The Faith Inclusion Production Standard covers prayer, food, dress, scheduling and cultural safety on a production. It is published and free to read, and productions can adopt it.